white fire white fire white fire white fire white fire white fire

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MP3 Samples:

Excerpts from "LOVE IS THE GREATEST" album (1-2 minute hi quality mp3 samples)

Wild Angels
African Praise
Bog Ye Zheev
Love Is The Greatest
Love Us Through The Teaching
City Of Light

Excerpts from "RIDE THE WIND" album (1-2 minute hi quality mp3 samples)

Grandpa's Guitar
Land Of The Indian
A Hidden Tear
Ride The Wind

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ALBUM DETAILS and NOTES:

GINA GAYE - "Ride The Wind"

No bells and whistles here, just a simple Tascam 8 track home recorder did the job for this folk style album. Doug Giddins was the main engineer on this project. He became a dear friend and shared with me that he was ill with Lupus. He also shared a dream he had that he was flying above the city, riding the wind, and going anywhere he wanted to go. He told me because of that dream he wasn't afraid to die. Doug passed away in 1993. I will never forget Doug and his kindness, especially his laughter and huge smile. The song "Ride the Wind" was written for Doug, and thus, I named my album accordingly in his honor.

Gary Potterton took over the engineering job for Ride the Wind album after Doug passed away. Gary wrote the song on this album called "Crazy Driver" and was the producer for Dr. Elmo's album with the popular Christmas song on it called, "Grandma Got Run Over By a Reindeer." Gary, if you are reading, thank you so much for all your talent, hard work, and mostly your friendship.

One of my favorite songs on the Ride the Wind album is called "Sing to Me". It was written by Jim Derrickson, also known as "Montana Jim". Jim is a quiet, good-hearted man who has the deepest, roughest, yet most tender voice I've ever heard. His songs really touch people. It literally gave me the shivers when I first heard him sing.

Mike O'Connell, also known as "Ranger Mike," sang "Jim's Last Ride." He is a profound songwriter whom I had the pleasure of recording with him, a heartfelt, down to earth, traditional western music album called, "Paint Pony," which received high praises from members of the Western Music Association.

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THE WHITE FIRE - "Love is the Greatest"

Now this one has all the bells and whistles! What should I call myself now that I am not "Gina Gaye and the Rangers", nor am I doing country music . . .

As I played my drum and looked up in the sky, I saw the white clouds shaped and shadowed like dramatic fire flames that reminded me of the hot, roaring fires my dad used to make on cold winter days. The name, "White Fire" seemed to have been given to me by the heavens. The name perfectly describes the music; "white" meaning pure and good (since the lyrics are spiritual) and "fire" meaning the sound is hot! Ancient instruments and futuristic sounds are beautiful together just like children and elders. Together the sound is complete. The songs are original. I wrote the words with their melody. Alex, the genius that he is, created the most awesome music to back me up.

MUSICIANS


Rasaki Aladokun

RASAKI ALADOKUN:

Rasaki Aladokun, Nigerian talking drum miracle artist with over twenty-five years of experience. He was a valued member of King Sunny Ade's band for over twenty years. During that period Rasaki participated in the recording and release of over 50 albums and CDs.

Rasaki's incredible energy and mastery of the talking drum has probably contributed to making King Sunny Ade what he has become in the music world. Rasaki is well traveled having performed in several musical engagements in Asia, Europe, the US, not to mention in several parts of Africa. Rasaki's expertise has earned him the respect of music lovers all over the world. He has been a featured artist in the recordings of many notable musicians, among them, O.J. Ekemode, Stevie Wonder, and Babatunde Olatunji of Drums of Passion among others.
www.myspace.com/aladokunrasaki


Gabriel Manzo

GABRIEL MANZO

It isn't often someone is gifted with such an extraordinary musical talent as Gabriel Manzo.  And when, through years of hard work and dedication, that individual hones his skill into true mastery, his music speaks a unique, recognizable language to all who hear him. 
 Gabriel's guitar work is amazingly versatile and inspirational.  He is accomplished in many genres including Latin Rock, Jazz, Rock, Blues and Funk. 
He has a clever knack for infectious rhythms, yet his forte is melodic lead guitar work, spanning everything from tight, flashy 8-bar solos to lengthy McLaughlin-esque escapades in tasty, powerful and fiery improvisation.  His seemingly endless compositional creativity is complimented by his overall musical maturity, rich vocal range and his proficiency on bass guitar and percussion instruments. 
Besides earning the respect of his listeners and colleagues, Gabriel has also received two certificates of honor from the city of San Francisco in recognition of his contribution to the birth, life and history of Latin Rock music.

CREDENTIALS

Lead guitarist, vocalist, songwriter and musical director of the seminal Latin Rock band MALO 1980 to present.
Appears extensively in landmark book titled "The Voices Of Latin Rock" by Jim McCarthy and Ron Sansoe released 2004.
Toured as part of Bo Diddley's band 1974-79.
Toured as part of Pete Escovedo and Pablo Tellez's band 1979-80.
Founded Many Faces with Sly & The Family Stone drummer Greg Errico 1999, recorded CD with Don Smith of Traveling Wilburys fame at the helm.
Recorded with Bill Spooner of renowned rock band The Tubes.
Recorded with Leonard Hayes of rock band Y & T.
Recorded with studio luminary Vernon Black.
Played and recorded with Jorge Santana Band 2000.
Founded faith-based Latin Rock band BUENO 2000, recorded successful CD backed by several tours.
Co-founder and guitarist/songwriter for flamenco group Guitarras Y Congas, recorded acclaimed CD "Chiles."
Studied in depth as a student of noted jazz guitarist, author and instructor, Warren Nunes.
www.gabrielmanzo.com


Alex Newman

ALEX NEWMAN:

SF Bay Area-based English composer, record producer and performer Alex Newman. Producer of nine albums plus numerous one-off tracks, and performer who has played live on four continents: Newman has established himself as an innovative force in contemporary electronic dance music.
He has worked with artists as diverse as Kenwyn House (Reef), Greg Ellis (Juno Reactor), Andy Barlow (Lamb), Medicine Drum, Paul Berrow (Manager / Exec. Producer - Duran Duran), Suzanne Sterling (Alcyone, Skyclad), flautist Bodhi, vocalist / DJ Cybervixen, and vocalist Gina Gaye (White Fire).
Always doing things his own way, he combines his classical training with influences from the diverse world of electronic music - in particular the UK and USA underground scenes - to create a formidable, sweeping landscape of sound.
His music has tremendous dancefloor appeal and energy - yet is richly textured, sophisticated, lucid and emotive.
Accolades for his work include: NAR's "Ambient Album Of The Year 2006" for Bodhi's Trans Ukraine; rave reviews of his production of Medicine Drum's third album "Original Face" (a major thrill... one cool track after another" -- Billboard) - and record deals with major dance label System Recordings (Alcyone) and Virgin / EMI subsidiary Cyberoctave (Medicine Drum).
www.pxr8.com


Kim Atkinson

KIM ATKINSON:

Hi, I'm Kim Atkinson, percussionist, rhythm educator/evangelist, and the driving force behind PulseWave Percussion. Studying rhythm, and cultures that give it prominence, has been one of the most significant currents in my life. I discovered African drumming in 1973 while a psychology/natural science student at Sonoma State University in Rohnert Park, California. My four-year encounter with Yoruba dancer/musician/teacher A. O. Vidal led me to study linguistics, ethnology, mythology, history, and perception along with music, and in the process changed my world view. Drumming and drum culture has invigorated my life and given me a clear direction and fulfilling service.
I became an instructor, not by choice but because Vidal asked me to teach his workshop class. Thus, after a year and a half of learning drumming, I was teaching it, often to music majors who knew more about European music than me! This inspired me to learn more about my own heritage and to become fluent in the language music in general. Being initiated into teaching while such a new learner has been, and continues to be, especially significant for me. It forced me to confirm and clarify what I know and don't know, and to present it in a succint manner accessible to the beginner's mind. I seem to be blessed with a skill to quickly determine what people are missing and then deliver it to them in a way that makes them feel good about learning. People have called me a master teacher. After many years, I have decided to accept this title. I thank and acknowledge everyone who has taught me, including my students.

Other key encounters for me have been studying and performing with C. K. and Kwaku Ladzekpo, master artists from Ghana, West Africa. C.K.'s insistence, in his U. C. Berkeley African Music class, on keeping the main beat while speaking drum language and clapping bell or clave parts has become the basis of the method I use to teach myself and others. In 1977, Kwaku taught me all the bell, rattle, calls, and support parts to fifteen traditional Ghanaian rhythms. Having this amount of authentic material at hand as a young performing musician was invaluable. In 1984 I met Brazilian Shaman Antonio Costa e Silva. He encouraged me to expand my awareness to observe the effects of my drumming on others and myself, and to pay attention to the quality of energy surrounding my thoughts and actions. Through him I was initiated into playing for healing ceremonies in the Brazilian Umbanda tradition as well as exploring facets of Tibetan Buddhism. I studied with him for ten years and have played for countless ceremonies.
In 1996 I started PulseWave Percussion as a business in order to reach more people with my innovative teaching methods and holistic view of music and dance. Since 1973 I've observed and participated in innumerable music and dance sessions and have distilled and refined my ideas about what makes them work (or not). I have developed my methods carefully and am constantly learning.Kim's Discography

My music can be heard on the following recordings, and many others as well. Album titles are in quotes, followed by the artist or group.

"Open Circle" Kevin Locke
"It About Time" Tadamiso Saito
"Drummers Journey" Small Village Ensemble
"Paradise Lost" Steve Kindler
"Rhythm Harvest" Michael Pluznick
"Dance Latitude" ToKenKi
"Across a Rainbow Sea" Steve Kindler
"Cradle of the Sun" Michael Pluznick
"Primal landscape" ToKenKi
"Drum Culture" Small Village Ensemble
"Circle Round the Moon" Michelle Sell
"Set Free" Constance Demby
"Living the Northern Summer" Jim Chappell
"Global Village" Tor Dietrichson
"Light of this World" Constance Demby
"Dolphin Smiles" Teja Bell and Steve Kindler
"Inner Rhythms" Susan Mazer and Dallas Smith
"Automatic Writing" Steve Kindler
"Relax, you're soaking in it" Belair
"Helman and Groves" Helman and Groves
"Turn to the Sun" Sandy Hershman
"Dance of the Tao'' Shawkie Roth
www.pulsewave.com


Bodhi

BODHI:

Bodhi K. Setchko is a multi-talented shamanic flute healer, songwriter, composer, recording artist,producer, teacher & professional band leader. He has been performing and providing music for special events, weddings, workshops and church services for over 25 years, has produced 9 albums of original music and is the founder of 2 recording/touring bands,"CRYSTAL WIND" and "RHYTHM MATRIX".

Having studied with many fine musicians, including renowned artists Paul Horn, William Mathieu, and G. S.Sachdev, he has developed a unique style of improvisation using the sounds of nature as his inspirational source. He has contributed to the recordings of many contemporary musicians including Aeoliah, Erik Berglund, Anton Mizerak & Matisha. At home on flute, piano, guitar, conch shell or turning an affirmation into a chant, Bodhi brings a genuine lightness of being to every concert and workshop setting, while his music empowers people to manifest their deepest dreams and desires.

Bodhi specializes in providing musical soundscapes for events and workshops. His sensitivity to group energy combined with his broad range of musical and healing talents (Reiki, Breathwork, Meditation), enables him to tune in to, enhance and bring out the feeling tone present at any event, leaving people feeling inspired, uplifted & fulfilled. www.shamanicflute.com

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